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GB/T 41283.1-2022Acoustics - Soundscape - Part 1: Definition and conceptual framework (English PDF)

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Issued by

State Administration for Market Regulation, China National Standardization Administration

Level / Type

National · Recommended

Issue date

March 9, 2022

Implementation date

October 1, 2022

Scope

GB/T 41283.1-2022 (Acoustics - Soundscape - Part 1: Definition and conceptual framework) is available as an English-translated PDF.

GB/T 41283.1-2022 — This document provides the definition and conceptual framework of soundscape, and explains the measurement, reporting and soundscape planning, Various factors related to design and management.

Document preview — GB/T 41283.1-2022

National Standard of the People's Republic of China

Classification
A 59

Issued by: State Administration for Market Regulation, China National Standardization Administration

Contents

  • foreword
  • Introduction
  • 1 Scope
  • 2 Normative references
  • 3 Terms and Definitions
  • 4 Conceptual Framework of Soundscape
  • 4.1 Overview

foreword

This document is in accordance with the provisions of GB/T 1.1-2020 "Guidelines for Standardization Work Part 1.Structure and Drafting Rules of Standardization Documents"

drafted.

This document is part 1 of GB/T 41283 "Acoustic Soundscape". GB/T 41283 has published the following parts.

--- Part 1.Definitions and conceptual framework.

This document is equivalent to ISO 12913-1.2014 "Acoustic soundscapes - Part 1.Definition and conceptual framework".

This document adds a chapter "Normative References".

Please note that some content of this document may be patented. The issuing agency of this document assumes no responsibility for identifying patents.

Introduction

Soundscape research has a long history [1~5]. Due to the differences in soundscape research in different regions and different disciplines, its definition and purpose

Marked with a variety of viewpoints. Therefore, the use of the term "soundscape" has its particularity and ambiguity [6].

The purpose of this document is to achieve a broad consensus on the definition of "soundscape" so that

Communication provides the basis.

The concepts of "landscape[7]" and "soundscape" have similarities, both of which are based on human perception. This document considers the soundscape as a

Phenomenon-related perception concepts. This document distinguishes a perceptual concept (soundscape) from a physical phenomenon (acoustic environment), arguing that soundscape exists in

Human perception of the sound environment.

There are many related contents of soundscape, which are divided into 4 parts according to different aspects, namely.

--- Part 1.Definitions and conceptual framework. The purpose is to give the definition and connotation of "soundscape".

--- Part 2.Data collection and reporting requirements. The purpose is to specify the requirements for data collection and reporting in soundscape studies, investigations and applications.

Requests and supporting information.

--- Part 3.Data analysis. The purpose is to give guidelines for the analysis of the data obtained in Part 2.

--- Part 4.Design and Retrofit. The purpose is to give guidelines for soundscape design and renovation.

acoustic soundscape

Part 1.Definitions and Conceptual Framework

1 Scope

This document provides the definition and conceptual framework of soundscape, and explains the measurement, reporting and soundscape planning,

Various factors related to design and management.

2 Normative references

There are no normative references in this document.

3 Terms and Definitions

The following terms and definitions apply to this document.

3.1

soundsources

Natural or man-made sounds.

Note. See reference [6].

3.2

acousticenvironment

The sound produced by all sound sources arrives at the receiving point after being altered by the environment.

NOTE. The acoustic environment can be actual or simulated, outdoor or indoor, experienced or in memory.

3.3

soundscape

soundscape

The acoustic environment that is perceived, experienced or understood by an individual or group of people in a situation.

4 Conceptual Framework of Soundscape

4.1 Overview

Figure 1 describes the process of perceiving, experiencing, and understanding the acoustic environment. It highlights seven fundamental concepts and their relationships. (1) Field

(2) sound source; (3) sound environment; (4) auditory perception; (5) understanding of auditory perception; (6) response; (7) effect [6,8~10].

......
This preview omits tables, figures, formulas and parts of the technical clauses. The complete document — all pages — is available in the English PDF.

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