GB/T 41283.1-2022Acoustics - Soundscape - Part 1: Definition and conceptual framework (English PDF)
Also coversGBT41283.1-2022
Open the GB/T 41283.1-2022 preview as PDF
This is a limited preview
Buy now to download the full PDF
Issued by
State Administration for Market Regulation, China National Standardization Administration
Level / Type
National · Recommended
Issue date
March 9, 2022
Implementation date
October 1, 2022
Scope
GB/T 41283.1-2022 (Acoustics - Soundscape - Part 1: Definition and conceptual framework) is available as an English-translated PDF.
GB/T 41283.1-2022 — This document provides the definition and conceptual framework of soundscape, and explains the measurement, reporting and soundscape planning, Various factors related to design and management.
Document preview — GB/T 41283.1-2022
National Standard of the People's Republic of China
- Classification
- A 59
Issued by: State Administration for Market Regulation, China National Standardization Administration
Contents
- foreword
- Introduction
- 1 Scope
- 2 Normative references
- 3 Terms and Definitions
- 4 Conceptual Framework of Soundscape
- 4.1 Overview
foreword
This document is in accordance with the provisions of GB/T 1.1-2020 "Guidelines for Standardization Work Part 1.Structure and Drafting Rules of Standardization Documents"
drafted.
This document is part 1 of GB/T 41283 "Acoustic Soundscape". GB/T 41283 has published the following parts.
--- Part 1.Definitions and conceptual framework.
This document is equivalent to ISO 12913-1.2014 "Acoustic soundscapes - Part 1.Definition and conceptual framework".
This document adds a chapter "Normative References".
Please note that some content of this document may be patented. The issuing agency of this document assumes no responsibility for identifying patents.
Introduction
Soundscape research has a long history [1~5]. Due to the differences in soundscape research in different regions and different disciplines, its definition and purpose
Marked with a variety of viewpoints. Therefore, the use of the term "soundscape" has its particularity and ambiguity [6].
The purpose of this document is to achieve a broad consensus on the definition of "soundscape" so that
Communication provides the basis.
The concepts of "landscape[7]" and "soundscape" have similarities, both of which are based on human perception. This document considers the soundscape as a
Phenomenon-related perception concepts. This document distinguishes a perceptual concept (soundscape) from a physical phenomenon (acoustic environment), arguing that soundscape exists in
Human perception of the sound environment.
There are many related contents of soundscape, which are divided into 4 parts according to different aspects, namely.
--- Part 1.Definitions and conceptual framework. The purpose is to give the definition and connotation of "soundscape".
--- Part 2.Data collection and reporting requirements. The purpose is to specify the requirements for data collection and reporting in soundscape studies, investigations and applications.
Requests and supporting information.
--- Part 3.Data analysis. The purpose is to give guidelines for the analysis of the data obtained in Part 2.
--- Part 4.Design and Retrofit. The purpose is to give guidelines for soundscape design and renovation.
acoustic soundscape
Part 1.Definitions and Conceptual Framework
1 Scope
This document provides the definition and conceptual framework of soundscape, and explains the measurement, reporting and soundscape planning,
Various factors related to design and management.
2 Normative references
There are no normative references in this document.
3 Terms and Definitions
The following terms and definitions apply to this document.
3.1
soundsources
Natural or man-made sounds.
Note. See reference [6].
3.2
acousticenvironment
The sound produced by all sound sources arrives at the receiving point after being altered by the environment.
NOTE. The acoustic environment can be actual or simulated, outdoor or indoor, experienced or in memory.
3.3
soundscape
soundscape
The acoustic environment that is perceived, experienced or understood by an individual or group of people in a situation.
4 Conceptual Framework of Soundscape
4.1 Overview
Figure 1 describes the process of perceiving, experiencing, and understanding the acoustic environment. It highlights seven fundamental concepts and their relationships. (1) Field
(2) sound source; (3) sound environment; (4) auditory perception; (5) understanding of auditory perception; (6) response; (7) effect [6,8~10].
......
This preview omits tables, figures, formulas and parts of the technical clauses. The complete document — all pages — is available in the English PDF.
How to Buy GB/T 41283.1-2022
- 1Add to cart. Click the "Buy GB/T 41283.1-2022" button on this page. You can add more standards before checkout.
- 2Checkout. Enter your email and billing details. Payment is processed securely by Stripe (cards, Apple Pay, Google Pay supported).
- 3Instant delivery (0–9 sec). Delivery is automatic: within seconds of payment you'll receive an email with a secure download link. The link stays valid for 72 hours.
- 4Invoice included. A tax invoice is attached to the confirmation email. Need a custom invoice? Contact us.
Related Standards
GB/T 46830.2-2026 — Plastics - Liquid crystal polymer (LCP) moulding and extrusion materials - Part 2: Preparation of test specimens and determination of properties
GB/T 28593-2026 — Sand and dust weather warning levels
GB/T 19608.3-2026 — Classification of special environmental conditions - Part 3: Plateau
Secure payment via Stripe
Payments accepted
GB/T 41283.1-2022
$155.00